The TAJ MAHAL :: One of the New 7 Wonders of the World
The Taj Mahal is listed as one of the new 7 Wonders of the World, Arabic for “Crown of Palaces” is an ivory-white marble sepulcher on the south bank of the Yamuna waterway in the Indian city of Agra. It was charged in 1632 by the Mughal head, Shah Jahan (ruled 1628–1658), to house the tomb of his most loved wife, Mumtaz Mahal. The tomb is the centerpiece of a 42-section of land complex, which incorporates a mosque and a visitor house, and is set in formal patio nurseries limited on three sides by a crenelated divider.
Development of the sepulcher was basically finished in 1643 however work proceeded on different periods of the venture for an additional 10 years. The Taj Mahal complex is accepted to have been finished completely in 1653 at an expense assessed at an ideal opportunity to be around 32 million rupees, which in 2015 would be roughly 52.8 billion rupees (US$827 million). The development venture utilized around 20,000 artisans under the direction of a leading body of draftsmen drove by the court planner to the head, Ustad Ahmad Lahauri.
The Taj Mahal was assigned as an UNESCO World Heritage Site in 1983 for being “the gem of Muslim craftsmanship in India and one of the all around appreciated gems of the world’s legacy”. Portrayed by the Nobel laureate, Rabindranath Tagore, as “the tear-drop on the cheek of time”, it is viewed by numerous as the best sample of Mughal engineering and an image of India’s rich history. The Taj Mahal pulls in 7–8 million guests a year. In 2007, it was pronounced a victor of the New 7 Wonders of the World (2000–2007) activity.
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Motivation for building Taj Mahal: One of the 7 wonders of the world
The Taj Mahal was charged by Shah Jahan in 1631, to be implicit the memory of his wife Mumtaz Mahal, a Persian princess who kicked the bucket bringing forth their fourteenth tyke, Gauhara Begum. Construction of the Taj Mahal started in 1632. The majestic court reporting Shah Jahan’s distress after the demise of Mumtaz Mahal outline the adoration story held as the motivation for Taj Mahal. The vital sepulcher was finished in 1643 and the encompassing structures and garden were done around five years after the fact.
Design and Architecture
The Taj Mahal,one of the seven wonders of the world incorporates and expands on design traditions of Persian and earlier Mughal architecture. Specific inspiration came from successful Timurid and Mughal buildings including; the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand), Humayun’s Tomb, Itmad-Ud-Daulah’s Tomb (sometimes called the Baby Taj), and Shah Jahan’s own Jama Masjid in Delhi. While earlier Mughal buildings were primarily constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones. Buildings under his patronage reached new levels of refinement.
The tomb is the focal center of the whole complex of the Taj Mahal. It is a substantial, white marble structure remaining on a square plinth and comprises of a symmetrical working with an iwan (a curve molded entryway) topped by an extensive vault and finial. Like most Mughal tombs, the fundamental components are Persian in starting point. This is why it is listed in 7 wonders of the world.
The base structure is an expansive multi-chambered block with chamfered corners shaping an unequal eight-sided structure that is roughly 55 meters (180 ft) on each of the four long sides. Every side of the iwan is surrounded with a colossal pishtaq or vaulted opening with two comparably formed angled overhangs stacked on either side. This theme of stacked pishtaqs is repeated on the chamfered corner regions, making the outline totally symmetrical on all sides of the building. Four minarets outline the tomb, one at every edge of the plinth confronting the chamfered corners. The primary chamber houses the bogus sarcophagi of Mumtaz Mahal and Shah Jahan; the genuine graves are at a lower level.
The most marvelous component is the marble vault that surmounts the tomb. The vault is almost 35 meters (115 ft) high which is close in estimation to the length of the base, and complemented by the round and hollow “drum” it sits on which is around 7 meters (23 ft) high. On account of its shape, the arch is regularly called an onion vault or amrud (guava arch). The top is beautified with a lotus outline which additionally serves to highlight its stature. The state of the vault is underscored by four littler domed chattris (stands) put at its corners, which duplicate the onion state of the principle arch. Their ordered bases open through the top of the tomb and give light to the inside. Tall beautiful towers (guldastas) reach out from edges of base dividers, and give visual accentuation to the tallness of the arch. The lotus theme is rehashed on both the chattris and guldastas. The arch and chattris are topped by a plated finial which blends conventional Persian and Hindustani beautifying components.
The primary finial was initially made of gold yet was supplanted by a duplicate made of overlaid bronze in the mid nineteenth century. This component gives an unmistakable illustration of reconciliation of conventional Persian and Hindu enhancing components. The finial is topped by a moon, a common Islamic theme whose horns point heavenward.
The minarets, which are every more than 40 meters (130 ft) tall, show the creator’s propensity for symmetry. They were outlined as working minarets—a customary component of mosques, utilized by the muezzin to call the Islamic dependable to supplication to God. Every minaret is viably partitioned into three equivalent amounts of by two working overhangs that ring the tower. At the highest point of the tower is a last overhang surmounted by a chattri that mirrors the configuration of those on the tomb. The chattris all have the same enriching components of a lotus outline topped by an overlaid finial. The minarets were built marginally outside of the plinth so that in the occasion of breakdown, an ordinary event with numerous tall developments of the period, the material from the towers would tend to fall far from the tomb.
The complex is set around a huge 300-meter (980 ft) square charbagh or Mughal garden. The patio nursery utilizes raised pathways that gap each of the four quarters of the greenhouse into 16 depressed parterres or flowerbeds. Somewhere between the tomb and portal in the focal point of the greenery enclosure is a raised marble water tank with a considering pool situated a north-south pivot to mirror the picture of the catacomb. The raised marble water tank is called al Hawd al-Kawthar in reference to the “Tank of Abundance” guaranteed to Muhammad.
Somewhere else, the greenhouse is laid out with parkways of trees and wellsprings. The charbagh garden, an outline motivated by Persian greenery enclosures, was acquainted with India by Babur, the main Mughal sovereign. It symbolizes the four streaming waterways of Jannat (Paradise) and mirrors the Paradise garden got from the Persian paridaeza, signifying ‘walled garden’. In spiritualist Islamic writings of the Mughal period, Paradise is depicted as a perfect patio nursery of wealth with four waterways spilling out of a focal spring or mountain, isolating the greenery enclosure into north, west, south and east.
The Taj Mahal being one of the new seven wonders of the world attracts a large number of tourists. UNESCO documented more than 2 million visitors in 2001, which increased to about 3 million in 2015. A two tier pricing system is in place, with a significantly lower entrance fee for Indian citizens and a more expensive one for foreigners. Most tourists visit in the cooler months of October, November and February. Polluting traffic is not allowed near the complex and tourists must either walk from parking lots or catch an electric bus. The Khawasspuras (northern courtyards) are currently being restored for use as a new visitor center.
The small town to the south of the Taj, known as Taj Ganji or Mumtazabad, was originally constructed with caravanserais, bazaars and markets to serve the needs of visitors and workmen. Lists of recommended travel destinations often feature the Taj Mahal, which also appears in several listings of seven wonders of the modern world, including the recently announced New Seven Wonders of the World, a recent poll with 100 million votes.
The grounds are open from 06:00 to 19:00 weekdays, except for Friday when the complex is open for prayers at the mosque between 12:00 and 14:00. The complex is open for night viewing on the day of the full moon and two days before and after, excluding Fridays and the month of Ramadan.
For security reasons only five items—water in transparent bottles, small video cameras, still cameras, mobile phones and small ladies’ purses—are allowed inside the Taj Mahal. You must visit Taj Mahal once in your lifetime, its an awesome place and really it deserved to be in the seven wonders of the world.